VSFF INTERVIEW WITH D.B. SWEENEY
The First Annual VIDI.SPACE Film Festival (VSFF) is fast approaching and this week I had the chance to speak with D.B. Sweeney (The Cutting Edge, Fire in the Sky, Memphis Belle, Two Tickets to Paradise, Eight Men Out) about his submission to the VSFF as both actor and director of the short film “Two Dum Micks”. The short, which co-stars Sean Astin (Lord of the Rings, Goonies, Strangers Things), documents the trials and tribulations of two (more than slightly) intoxicated cell mates on a literal “wild goose chase”. DB and I discussed everything from the challenges of short film making, the appeal of physical comedy, the cost of training a goose, and shooting at planes. This one was fun.
- AR, Editor
In the early days of movies, producers insisted they be very short (one or two reelers) not only for technical reasons, but because they didn’t believe there was enough collective attention span to sit through anything longer. A hundred years later, here we are again! Physical comedy is universal and we need more unity these days.
I am a huge fan of this genre and respectful of the care and craft that go into making it look easy. Lucky to have such a skilled partner in Sean Astin and wonderful first time producers like Diane Hendricks and especially the amazing artist Kara Shaw!
I’m definitely a huge fan of physical comedy and “Two Dum Micks” definitely fits the “physical comedy” bill. What do you think makes physical comedy appealing to so many people?
Well the evolving rules of social discourse are making it tougher and tougher to poke fun. In ‘observation’ comedy, which is what most standup is, you generally single out a type of person or a behavior for ridicule. That’s become a bit of a minefield. The appeal to me of physical comedy is the protagonist gets the direct blowback of his own choices. Easy for everyone to enjoy his self-created misery.
Where did the idea for “Two Dum Micks” come from? I’m not saying that I’ve personally chased down a duck (or goose) but I’m also not saying that I haven’t… Did the idea for the short come from a personal experience (I’m crossing my fingers that it did) or simply something that you thought would get a good laugh and would be fun to create?
I can only imagine a short film like “Two Dum Micks” would present a number of challenges from a filmmaking perspective. Everything from establishing characters to creating some semblance of a story ark must be incredibly challenging to do in such a short timeframe. What other challenges do short films present to an actor/filmmaker?
I wouldn’t be doing my job if I didn’t mention the fact that THE Sean Astin plays your slightly (or more than slightly) inebriated counterpart in the film. How and when did that relationship get its start?
With the submission of “Two Dum Micks” to the VSFF, we asked you to give us “one fun fact” from the film or the inspiration behind the project and you mentioned something about firing tracer rounds at a B-17 with Sean Astin during the filming of “Memphis Belle” and almost shooting the plane down?! I think we all need to hear that story.
Unimaginable today, it would all be CGI.
So in our preflight briefing “somebody” asked if we should fire the 50 caliber machine guns (we had been training with them on on the ground) AT the fighter planes since we were firing blanks and the cameras might pick up the muzzle flashes. Some ‘expert’ said “well yeah, the fighters are coming at the bombers at 300mph and the bombers are going about half that speed, so there’s no way these amateur gunners can possibly hit the fighters…Good idea!” So up we went. And the expert was right, it took enormous skill and experience to even ‘track’ the planes with the 50 cal, as it’s a big, bulky weapon. (Its weight is supported by cables, but its still very unwieldy…) So after repeated failure with the streaking fighters and a desire to…I dunno…hit SOMETHING with these great machine guns, we just started shooting at the adjacent B 17s. Now even though the 50 cal rounds were blanks, every fourth ‘bullet’ is a phosphorus tracer round which helps the gunner adjust his aim. The B 17s were in formation only a few hundred meters apart, so you could occasionally hit the next plane over with the tracer round. It made the most amazing THUNK sound on the hollow fuselage and a great fireworks impact. Well it turns out B17 are made out of mostly magnesium, which is an extremely flammable metal.
Might have been an interesting headline in the Britsh papers the next day had we nicked an engine.
Apart from that, any funny behind the scenes moments while filming “Two Dum Micks”? It seems like a film that would lend itself to some great moments off-camera!
Look, film permits are expensive in California, so I made the executive decision not to acquire them for some scenes. My buddy and agent Erik Seastrand’s awesome son is named ‘Drake’, so he was sensibly hired to pose as a student filmmaker doing a school movie project which constituted his Origin Story. Ducks, geese: his heritage…all part of his school work. Our crew was so small…9 people I think…that it COULD be credible, as long as we hid our famous hobbit and the dumbass ‘toepick’ guy if and when the cops appeared. We rehearsed what Drake would say to the arresting officers, and Man was he convincing! That was cheaper than getting permits or permission.
Last (but definitely not least), what do you have on the horizon? Anything coming up on the acting or directorial front?
Sean and I want to do more Two Dum Micks as a short form series, so stay tuned for that! We could be painters, crash funerals, work at a soup kitchen. The sky’s the limit! Watch out Abbott and Costello! Acting side: up next I’m in a movie called “Manson Brothers Midnight Zombie Massacre”, which as you can tell from the title is a somber meditation of the nature of being and other philosophical puzzles…
It’s a wrestling movie that morphs into a zombie movie, so they had me at hello. My buddy Max Martini directed it and with the legalization of reefer in many states I predict a long beloved life for this monstrosity.